Literature of the English Country House: Finding the Home of Mr Darcy

As learners on Literature of the English Country House finally arrive at Jane Austen week, we speak to Lauren Nixon (current PhD student and Author of ‘The Complete World of Jane Austen’, to get her views on the great Pemberley Debate.

If there was any doubt of the importance of the country house in the works of Jane Austen, then Pride and Prejudice would be the novel to dispel it; after all, it is her ‘first seeing his beautiful grounds at Pemberley’ that induces Elizabeth Bennet to change her mind about Darcy. In Austen, as in Regency society, a house is always more than a home: it is an expression of class, of taste and of character and Elizabeth is moved by Pemberley because it reveals to her a part of Darcy she hadn’t yet been able to see.

Aa silhouette of Edward Austen's adoption commissioned by  Thomas Knight to commemorate the occasion. Provided by Lauren Nixon.

Aa silhouette of Edward Austen’s adoption commissioned by
Thomas Knight to commemorate the occasion. Provided by Lauren Nixon.

Pride and Prejudice is perhaps Austen’s most famous novel, and as a result Pemberley is her most famous country house. Today, when we think of Pemberley we often think of Chatsworth House in Derbyshire. So much so is Chatsworth linked to Pemberley that it made a fitting location for the 2005 film adaptation of Pride and Prejudice and 2013’s BBC adaptation of Death Comes to Pemberley.

Chatsworth House: Inspiration for Austen?

Chatsworth House: Inspiration for Austen?

Chatsworth is often suggested as the inspiration for Austen’s own grand Derbyshire estate and though it certainly fits the bill, there is an issue here: Austen never visited the house- or even the county, for that matter. She would have certainly been familiar with it. The Devonshire’s were infamous, after all, and Austen would have been familiar through sketches, descriptions and literature with the house (it is in fact mentioned in Pride and Prejudice, as a stop on Elizabeth’s tour with her aunt and uncle.)

The country house at the heart of all Jane Austen’s work may not be named in her novels, but it provided Austen with the insight and understanding to create Hartfield, Mansfield Park, Kellynch Hall and of course, Pemberley: Godmersham Park, a beautiful Georgian estate in rural Kent. Godmersham became the home of Jane’s brother Edward Austen when he was adopted into the Knight family, distant cousins in possession of estate and fortune with no children of their own to name their heir. Prior to Edward’s ascension to the landed gentry, the Austen family, though genteel, had occupied a much lower rung on the social ladder.

Painting of Godmersham Hall, provided by Lauren Nixon.

Painting of Godmersham Hall, provided by Lauren Nixon.

Edward’s inheritance of Godmersham Park, alongside a smaller estate at Chawton in Hampshire, allowed Jane an insider’s understanding of the landed classes, of what it was to own, manage and live within a country house. Her first three novels Northanger Abbey, Sense and Sensibility and Pride and Prejudice (in terms of when they written, rather than published) all occur primarily within Austen’s own social space. Here, country homes are to be visited and marvelled at, rather than dwelt in. Yet those novels set after Jane’s experiences with her brother and his family at Godmersham- Mansfield Park, Emma and Persuasion move within the country home. Indeed, much of the description of Mansfield Park match that of Godmersham Park and Emma Woodhouse could never have existed without Austen’s niece Fanny, who took over running the house after the death of her mother.

Though Chatsworth House may be Pemberley’s spiritual twin, it is Godmersham Park that brought it to life.

 

 

To keep up to date with Lauren’s research you can follow her on Twitter. Click the video below to catch a glimpses of what we’ll be doing in this week on the course, and click here to sign up

Join us again next week when we’ll be hearing from PhD student Kathleen Hudson about the role of country house servants in the 18th-century gothic novel, and from Dr Amber Regis about the status of Satis House as a kind of prison in Charles Dickens’ Great Expectations! 

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  1. Pingback: The School of English | Literature of the English Country House: Co-Lead Educator Jim Fitzmaurice Previews the New Course

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